2012년 4월 11일 수요일

Naturalism - pessimism


April 11th, 2012
[Stephen Crane: A Dark Brown Dog]
11b4 111150 Ho InHee


When first hearing the word ‘naturalism’, I thought of something pure, serene, and clear. It may sound ignorant and stupid, but frankly, the term associated with the word ‘nature’ or the brand name ‘naturalist’ (which is a Korean brand best known for its eco-friendly philosophy). So I felt very ‘enlightened’ when I learned about the naturalism.

Thinking about it, it is natural, or reasonable, for the philosophy of naturalism to take place through 1880 to 1940. It was mostly the age of Imperialism; Great Powers were taking advantage of colonies. The outbreak of world’s two biggest wars (WWⅠ and WWⅡ) was in this time period. Numerous other wars, both big and small, broke out throughout the world. But ironically, late 19th century to early 20th century was also when many drastic social changes occurred. People fought for their rights. Racism, the rich-poor gap, prostitution, corruption…… All these became an issue that people struggled with.

What I noticed was, most of the naturalist writers I know-William Golding, Jack London, Wharton Edith, and Stephen Crane-encountered the ironical (or hypocritical) side of the society in some way. Some participated in a war and saw darkness and dysfunctions of human mind. Some travelled around the world and saw ‘the other half’s life.’ Whatever their personal experience was, they all encountered some problems of the society. The thin veneer of ‘civilization didn’t seem so reasonable for these people. Taking control of other countries with the justification of ‘civilizing the uncivilized’, the top minority engrossing public’s wealth, and heinous crimes sweeping in the hidden part of society-all these social situations were just proving how nonsense this civilization was. For them, like the family in A Dark Brown Dog, civilization was just a thin cover that could gift-wrap the seething desire and brutality.

I personally thought that A Dark Brown Dog, despite the title, was mainly focused on the child. The story opens with a white boy trotting a dog along the street. The boy does some violence to his dark brown dog. He beats the dog, kicks it, and drags it up the stairs. The dog, adjusted to this routine, hides and crouches. As the story reaches its end, the violence grows more and more unbearable with the appearance of the boy’s father. The father, who has despised the dog since before, returns home drunk. Then he puts violence on the dog. He ‘knocks the dog down with a heavy coffee-pot’, and ‘throws the dog out of the window’. At first, the boy hides under the table to keep him safe. But as the father’s violence goes way beyond, ‘the child, uttering loud cries, comes valiantly forth like a knight’. Eventually, the father throws the dog out, and the dog crashes on the floor five stories below.

One of the main factors that made the story incomprehensible for me was the inconsistency in the actions of the boy. We see the boy’s ‘unaffected’ violence on his dark brown dog. Both the boy and the dog seem to be very familiar with this injurer-victim relationship. At the end of the story, ironically, the child in the room far above bursts into a long, dirgelike cry, and toddles hastily out of the room’ when the dog is slew by his father. If Stephen Crane wanted to emphasize hidden evil inside the human and the thin veneer disguising the evil with hypocrisy, like most other stories with naturalistic theme, why couldn’t he make the boy assimilated to his father’s violence? Why did he have to make the father be dazed by liquor? Was this setting all for the story’s probability? Who, or what, represents ‘nature’ the best in the story? The father, the boy, or the dog? Clearly, the boy appears the most unsettled and vulnerable among three main characters of the story. He acts on his primitive instinct when he beats the dog. Or even, this violence can be a learned action acquired by his family. Either way, child’s violence itself barely does any threat to the dog and the dog endures it. But the story gets different when the assailant becomes the father. The father indiscriminately throws things at the dog. He kicks the dog and throws things to it until the child makes loud and violent objections. This violence continues until it causes the dog’s death. This sophisticated man who has lived longer in civilized world uses more violent and inhumane ways of beating the dog. So who represents basic human nature the better?

This question could give an answer to the debate we had in the class: how can be naturalist literature distinguished from literature with simple pessimistic view? Truly, naturalists had exerted themselves to see through hidden human nature under the veneer of civilization. Consequently they found the black-hearted inside of humans. The naturalist literature, there, often issues the contradiction between evil of human nature and civilization disguising it. They don’t all simply view human as fundamentally depraved. While the former story, [A Burning Fire], conspicuously emphasized human’s craving for life and indiscriminating effort to achieve such thing, [A Dark Brown Dog] focused more on civilization. The more one is exposed to civilization the more he/she learns ruthless and cruel from it, like ‘conformity’ as social psychologists call it. Though the father, a civilized man, ruins one poor life, the child stays there mourning over the dog’s death. This last line of the story draws a certain difference between pessimism and naturalism, as we find the boy seated by the body of his dark-brown friend.


This story was so hard >:(



{Comments}

Jeong YunJo: First of all, I'm sorry I was pecky with the grammar crap. I agree with what you said about the Naturalist authors pointing out the problems with the society of those times. During the discussion today, something like 'domestic violence' came to the issue. Was this one of the problems? I'm not sure. Anyways great work!

Sol Kim: I think you got the point of the "thin cover" of civilization, and I somewhat agree. But personally I think you don't have to view it so negatively, though some naturalists writer have done, since the civilization is also what the nature had given with the human instincts. Anyway, that's my opinion, so just consider them ㅎㅎ.
I could see that your ideas are not built yet; I mean, you don't really know what you want to write (I was like that too, frankly, 20 minutes me too short ㅜㅜ). So it would be much better if you get some organization and more ideas when you revise your essay. In other words, I'd like to see a clear point on what you want to talk about, cause now I see a scatter of ideas.

I couldn't read some of Sol's comments.... yet I tried to!




2012년 4월 3일 화요일

To Build A Fire


April 3rd, 2012
[Jack London: To Build a Fire]
11b4 111150 Ho InHee

The 1930’s was a period of worldwide depression. Most of Europe, the whole of America, and several other countries around the world suffered from a great economic crisis. It is not strange that ‘Naturalism’ was a dominant trend back then. Even before the 20th century, naturalism was a popular idea among many philosophers, writers, and artists. Naturalism basically takes the ‘law of nature’ as an essential operating factor in the universe, and further regards nothing as more important than environment. Naturalistic stories therefore primarily focus on conflicts between men and nature, while discounting supernatural entities.
Jack London’s [To Build a Fire] follows this naturalistic philosophy. The protagonist, an unnamed man suffers unbearably harsh weather for several hours while striving for a simple goal: to get to the mining camp. The motivation or reason for getting to the camp is not specified in the story. Instead, London focuses on describing the fierce weather the man had to face. The description is very detailed, but it is not too sympathetic to the situation the man is in. London takes a third person’s perspective and remains an objective onlooker throughout the story. He thereby implicitly speaks as Nature, which naturalists think is indifferent to humans. This indifference also works efficiently in describing how brutal the weather is in the story. (Parts like ‘Nose and cheeks were already freezing, while the skin of all his body chilled as it lost its blood’ shows this.) But the most important thing is the character of this unknown man. Throughout the story, the man bears severe cold but haughty and optimistic about his circumstances. He barely does ‘thinking’. He acts with extreme hubris. Yet he uses some basic human intellect for his survival, too. Accompanied by a dog, he makes the dog walk ahead so that he can keep from stepping on thin ice and getting wet. He builds a fire with twigs, and later makes an attempt to use matches. Yet despite all his best efforts, he ends up running desperately for survival, and finally meets his death in the freezing weather.
It is not immediately apparent what Jack London’s message is in this story. Unlike with most other novels and novellas, it is hard to pinpoint a clear theme here. Certainly, there isn’t anything to emulate in the story; it is not a morally didactic story. The protagonist fails to overcome his obstacles. Nor does he give any guidance on how to survive his predicament. His general attitude and behavior isn’t very suitable as a role model. It’s hard to identify what there is to be learned from this story.
However, lessons don’t always have to be taught by example. The man’s harsh travel across fierce weather does tell us something. Though it is unlikely for us find ourselves on such trip alone and facing -75°F weather, we might face similar difficulties, symbolically if not in actuality. Environment-both natural and social-can bring about devastating consequences at any moment. Natural disasters (such as typhoon, tsunami, earthquake, and volcanoes) and manmade disasters (such as political, religious, or regional conflicts that might even cause a worldwide war) can ruin human lives. It also seems like all these rapid social changes are nothing but a result of our thoughtless and reasonless actions. Human history has been about the pursuit of our own good. We are self-confident and imagine ourselves quite ‘civilized’. But we face new problems and conflicts everyday and often times fail in dealing with them. In other words, we are so engrossed in seeking out conveniences and handling urgent personal problems, that we don’t see a larger picture. In this manner, Jack London might be telling us what human are missing to see.








{Comments}

Nuri Kim: Hi Inhee :) I liked how you made a short summary in your essay, but I think you could develop your ideas further.
1. You talked about the great depression in your intro., and so I was expecting that you'll write about how this 시대적 배경 was an influence to 'To Build a Fire'
2. In your first body paragraph (second paragraph), I couldn't really grasp the main idea. At first I thought you were summarizing the story, but you seemed to analyze some parts as well. If you were intending to summarize + analyze, I think it'll be better to make your analysis related with each other, for example, analyzing points which depicted the man's weakness.
3. In your second body paragraph (third paragraph), you used the word 'animal-like'. I understand what you were trying to say, but after reading this story, I think you should use this word to show the dog, because usually the word 'animal-like' refers to instinctive action. In this story, it is the dog which is portrayed as a show of instinct. I think using the word thinking shallowly or thinking only of his basic needs would be a better word.


Rhee Jiyoon: Hey InHee! ㅎ_ㅎ
First of all, I liked how you pointed out that the man is 'animal-like'. While reading the whole story, I felt that I could not sympathize with the man, but didn't know why, but after reading your analysis, I think it was because the man is being too simple. If I were in the situation, many other things would pop up in my mind.. Something like "I miss my mom" "I had to be more kind to my family" and things like that...
My favorite sentence in your essay is the underlined one. [Naturalism basically takes the 'law of nature' as an essential operating factor in nature, and further, regarding the environment as ...] & [Nay motivation or reason for getting to the camp is not specified in the story.]
Ooh running out of time
I loved your analysis and I look forward to your revised version! <3<3<3